Beautiful Handcrafted Sinks and Udu, Air, and Skin drums

Starting back in the early 90s, in the early days of Clayart and various pottery newsgroups, there was a group of us who used to log onto the #pottery channel on mIRC, spending long hours happily clicking away at the keyboard talking about anything related to clay, pottery, glazes, firing, kilns, design, life as a potter, apprentices, etc etc etc.

One of the people I haven't lost touch with from the channel is Rusty Wiltjer (aka Grulox). Rusty has been potting for over 35 years now and is one of the more technically capable potters I know.

For the last few years, Rusty has focused on developing and producing his handmade sinks, including his pedestal, vessel, and self-rimming models. They are all individually made on the potters wheel, glazed, then high-fired in his gas kiln . I've seen a lot of sinks potters have tried to make out there and .. well, there are handmade sinks, and there are handmade sinks. Rusty's a precision thrower and his sinks are thrown well, designed well (including back-flow), and are finished well.

When I visited his site yesterday I was pleasantly surprised at the variety of clay drums he now has up ...and each with a sound clip! Its amazing how a slight variation in vessel shape can affect the tone and pitch. Did I mention Rusty also drums professionally and has on and off since he was a kid? For some time now he has been having a weekly drum gathering session at his house where a bunch of like-minded percussionists (I assume all on handmade or primitive drums?) get together and just jam.

Rusty's studio is nestled just outside the town of Waterford, Maine, about one hour north of Portland. If you would like to find out more about his sinks, drums, and pottery, or would like to contact him yourself, please feel free to check out his web site www.wiltjerpottery.com.

Here's a picture of Rusty playing a live performance with singer songwriter Kristen Short. (Nice bandana eh?)

Art Shows Anyone?

In these days of rising costs of materials, operation, gasoline, travel, and show fees, artists are having to rethink how they do business.

Most artists I know have had to face the reality of being more selective and discerning about what art shows they do. Travelling 800+ miles to do a show, paying an exhorbitant show fee (cuz the organizers are getting greedy - $1200 for one outdoor show in Michigan which is preposterous!), with no guarantee that you will even make expenses is just not feasable. Some people I know who still travel away for shows try and be smarter by clustering their show bookings, but even then, one person I spoke to last summer, who did 3 shows on one trip, said his gas alone was at least $800.

In an attempt to be creative and get something going in our area for artists (which hopefully for some will mean less travel), our group The Coastal Artisans (a collective of 13 artists formed last year) in conjunction with the Museum of Mobile (the history museum) , are presently working on putting together an art market (official name yet to be announced) right in downtown Mobile, across from The Gulf Coast Exploreum Science Center and the Museum of Mobile on the SW corners of Royal and Government Streets in the green space where the old city hall used to stand.

Our mission is to benefit art, culture, and tourism in the city of Mobile and surrounding area, while at the same time providing self-representing working artists with a quality local event where they can show and sell their work. Like the Coastal Artisan show at the Botanical Gardens in December, the market will have an eclectic mix of invited artists presenting in a range of mediums. It will run the 1st Saturdays of March through June. I should have more info soon on the Coastal Artisan blog/website.

Just a few of the Other attractions downtown: On March 3rd (the first day of the art market) is The 18th Annual American Cancer Society Chili Cook-Off over in Bienville Square, just a couple ofblocks west. The Museum of Mobile has an exhibit on the "Transatlantic Slave Trade" starting Feb 7 that is supposed to be very good. The Exploreum has a wonderful exhibit "A day in Pompeii" running through June, and in their IMAX Dome Theater will be "Greece: Secrets of the Past"

The new year, Pottery, Growth

A big part of the appeal of pottery for me has always been the ongoing learning curve; no matter how "advanced" you get there is always some new avenue to explore, experiment, and discover.

I've been experimenting with brushwork for a while now, trying different styles, brushes, pigment, and subject matter. The brushes that I like best for the designs I'm doing are ones that Lowell has made from local bamboo and deer/dog tail hair. Each brush has its own personality and make for a nice spontaneous bold brush stroke.

Today as I was cleaning up my computer hard drive, I came upon some photos from over the last few years. I was intrigued at how much some pots and designs have changed or evolved in a relatively short period of time. A natural progression I suppose. I had been told that the more you do an image, the more it seems to take on a life of its own.

It never hurts to go back every so often and revisit and reflect upon your work from the past. It can be a good point of reference or even source of inspiration.